Cambridge University Orchestra (CUO)

 


Cambridge University Orchestra is Cambridge’s flagship orchestra. CUO attracts the University’s very best musical talent, works exclusively with distinguished professional conductors, and achieves the highest possible standards. Many Cambridge University Orchestra members have previously performed at a national level and pursue careers as professional musicians when they leave University. Recent highlights have included a recording of Mozart and Haydn with Sir Roger Norrington, Wagner with Sir Mark Elder, concertos directed from the piano by Peter Donohoe, Mahler with Paul Daniel, Beethoven directed by Thomas Gould and a live Radio 3 broadcast with King’s College Chapel Choir, conducted by Stephen Cleobury.

On average, CUO perform six concerts per year: two projects in Michaelmas term, three in Lent term and one in Easter term. The Orchestra performs a range of chamber and symphonic repertoire, adjusting its size accordingly (for more information, see the ‘Ensembles’ introduction). Each concert is preceded by a short, but intense rehearsal period and includes sectional coaching with a professional musician, usually a member of one of the top London orchestras. All other rehearsals are taken by the visiting professional conductor.

As well as professional-level projects during term-time, membership with Cambridge University Orchestra offers opportunities to perform at May Balls, to go on tour, and to join in with many fun social activities outside of the rehearsal room.

 

A word from Hermione Kellow, CUO President 2018-19:

Cambridge University Orchestra (CUO) was born in 2017 out of the success of the acclaimed CUCO, forming a more adaptable orchestra capable of performing a vast range of repertoire. From the incredible Brahms Symphony No.1 under the coaching of Sir Mark Elder to a magnificent staging of Verdi’s Requiem performed in Kings Chapel, the orchestra’s 2017/18 season more than lived up to expectations in its debut year, accomplishing a vast range of wonderful repertory and continually attracting top-class soloists and conductors alike.

This coming 2018-2019 season will continue to showcase the brilliant variety the orchestra delivers with full symphonic forces undertaking works such as Stravinsky’s ground-breaking Rite of Spring and Britten’s War Requiem while more intimate forces tackle works such as Mozart’s Concerto for Two Pianos K.365 and Haydn’s Cello Concerto in D. Such a season will be an unforgettable experience for audience and orchestra alike, and I very much look forward to welcoming you to our concerts, starting with our season launch on 20th October 2018.

Those looking to join the orchestra can expect to have expert instrumental tutors and guest conductor guide them through a week of rehearsals, leading to an exceptional performance at the end of the week. Not only does CUO provide the perfect opportunity for music-making of the highest standard, it also gives the chance to meet many fellow Cambridge musicians, leading to multiple social events outside of the rehearsal schedule. It is the perfect way to get to know those around you who share in a genuine love and enjoyment of orchestral playing. To hear more please do come and meet us at the freshers’ fair at the beginning of the academic year, and we hope to see you at auditions soon-after in early October!

 

2018-2019 programme

Saturday 20 October: Season Launch concert in celebration of Robin Holloway’s 75th birthday with Ryan Wigglesworth, including Mozart’s Concerto for Two Pianos K.365 and Schumann

Saturday 17 November: Sian Edwards conducts Debussy’s La Mer in celebration of Debussy’s centenary year

Saturday 19 January: Britten’s War Requiem conducted by Graham Ross in King’s College Chapel

Saturday 16 February: Stravinsky’s Rite of Spring and Rachmaninov Symphonic Dances with Duncan Ward

Saturday 16 March: King’s Foundation Concert and dinner, conducted by Stephen Cleobury

Saturday 4 May: Cellist Robert Cohen directs the Orchestra in a concert including Bloch’s From Jewish Life and Mozart’s Jupiter Symphony.

For full programme details, please see the ‘Programme’ tab

 

Recent conductors, soloists and coaches

Conductors/directors:
Sir Mark Elder, Sir Roger Norrington, Paul Daniel, Nicholas Collon, Richard Farnes, Howard Shelley, Gerry Cornelius, Carlos Izcary, Natalia Luis-Bassa, Andrew Gourlay, Jamie Phillips, Peter Stark, Thomas Gould, Jac van Steen, Sian Edwards

Soloists:
Guy Johnston, cello; Tom Poster, piano; Stephen Kovacevich, piano; Peter Donohoe, piano; Melanie Ragge, oboe; Jack Liebeck, violin

Coaches:
Charles Mutter, leader of the BBC Concert Orchestra
Adrian Bradbury, cellist
Orlando Jopling, cellist
Melanie Ragge, oboist and founding member of New London Chamber Ensemble
Simon Channing, head of woodwind at Royal College of Music
Stephen Stirling, horn professor at Trinity College of Music and member of Endymion Ensemble
Jo Hensel, member of the horn section of the Academy of St Martin in the Fields

 

For more information on the work of CUO, please contact Chloe Davidson.



To view the 2018-19 rehearsal schedule, please click here!

 

 

2018-19 CUO Concert Programme

Saturday 20 October 2018, 8pm
Mozart Concerto for Two Pianos K.365
Schumann arr. Robin Holloway Six Canonic Studies op.56
Schumann Symphony No.3 ‘Rhenish’
Ryan Wigglesworth conductor/piano
Charles Owen piano
 

Saturday 17 November 2018, 8pm – In celebration of Debussy’s centenary year
Gershwin An American in Paris
Tomasi Concerto for Alto Saxophone and Orchestra
Berlioz Overture ‘Le Corsaire’ op.2
Debussy La Mer
Sian Edwards conductor
Ignacio Maña-Mesas saxophone (CUMS Concerto Competition 2018 winner)

 

Saturday 19 January 2019, 8pm
Britten War Requiem in King’s College Chapel
Graham Ross conductor
with
Cambridge University Sinfonia
Choirs of Clare, Jesus, Selwyn and Trinity Colleges
Cambridge University Chamber Choir
Natalya Romaniw soprano
Ed Lyon tenor
Gareth John bass
 

Saturday 16 February 2018, 8pm
Rachmaninov Symphonic Dances
Stravinsky The Rite of Spring
Duncan Ward conductor

 

Saturday 16 March 2018, 5.30pm
King’s Foundation Concert
Stephen Cleobury, conductor
 

Saturday 4 May, 8pm
Rossini Overture from ‘L’Italiana in Algeri’
Haydn Cello Concerto in D
Bloch From Jewish Life
Mozart Symphony No.41, ‘Jupiter’ K.551

Robert Cohen cello/director


Concert Archive

A note on Cambridge University Chamber Orchestra
In 2017, the CUMS ensembles were restructured (for more details please see the Ensembles introduction). As a result of this restructuring, the Society’s flagship orchestra, Cambridge University Chamber Orchestra, became a more flexible ensemble which performs both chamber and symphonic repertoire. Hence, ‘Chamber’ was dropped from the orchestra’s name to form Cambridge University Orchestra.
 


Media

Photo: Zhao Songyuan

Social Media
 
Find Cambridge University Orchestra on Facebook and Twitter!
 
 Blog posts
 
22 November 2016: a post on the CUMS Blog by the Orchestra’s Leader, Aditya Chander
28 February 2017: Aditya Chander reflects on the orchestra’s first rehearsal with Peter Donohoe and the thrill of performing without a conductor in his second blog post.
2 May 2017: An interview with CUMS Composer in Residence Joy Lisney, whose composition ‘Thread of the Infinite’ premiered on Saturday 13 May 2017.
 
 
 
 

Photo: Zhao Songyuan

Recordings
 
13 May 2017
Joy Lisney (CUMS Composer in Residence): Thread of the Infinite
Beethoven: Symphony No.6 ‘Pastoral’ Mvt 1
Beethoven: Symphony No.6 ‘Pastoral’ Mvt 2
Thomas Gould director/violin

27 February 2016
R Strauss: Overture and Dance scene from ‘Ariadne auf Naxos’
Chris Mortlock (CUMS Composer in Residence): Between the Spheres
Beethoven: Symphony No.4
Gerry Cornelius conductor
Recorded by Adam Welch

13th December 2013
Haydn: Symphony No. 104 ‘London’
Scarlatti: ‘Christmas Cantata’
Mendelssohn: Symphony No.1 in C Minor Op.11
Sir Roger Norrington conductor
Katherine Watson soprano
Recorded by Myles Eastwood

 
 

Photo: Zhao Songyuan

 
Photos
 
May 2017: Thomas Gould
March 2017: Peter Donohoe
February 2016: Gerry Cornelius
November 2015: Howard Shelley
October 2014: Three Impressionists
May 2014: Jamie Phillips
March 2014: King’s Foundation Concert
January 2014: A Child of Our Time conducted by Nicholas Collon
November 2013: The Epic of Everest


Reviews

Season Launch Concert 26/10/13, The Cambridge Student. Read here.

The Epic of Everest 16/11/13, Varsity. Read here.

The Epic of Everest 16/11/13, The Cambridge Student. Read here.

Season Launch Concert 21/10/16, The Cambridge Student. Read here.

Mahler Symphony No.3 21/01/17, Varsity. Read here.

Peter Donohoe performs Mozart and Shostakovich 04/03/17, Varsity. Read here.
 


Cambridge University Orchestra Committee 2018-19

Each CUMS ensemble has its own student committee, which runs the ensemble’s rehearsals, concerts and social events. They are supported by the Concerts and Marketing Assistant (a graduate role), the Performance Assistant (a joint role with the Faculty of Music) and the Executive Director. If you would like to get in touch or have a suggestion about the ensemble, the Ensemble President is a good place to start. For more information on how CUMS is run, please see the Society Information page.

President
Hermione Kellow – hk450@cam.ac.uk

The rest of the student committee will be elected at the start of Michaelmas Term.
 
 

CUMS staff
Concerts and Marketing Assistant
Rachel Becker – rnb28@cam.ac.uk

Performance Assistant
Katharine Ambrose – kla39@cam.ac.uk

CUMS Executive Director
Chloe Davidson – cnd26@cam.ac.uk


Frequently Asked Questions

How can I perform with Cambridge University Orchestra?
If you wish to be considered for a place in CUO, you must audition. CUMS Auditions take place at the start of each academic year, during Freshers’ Week. All members of the previous year’s orchestra must re-audition along with the new players. For more information about auditions, including how to sign up, please see here.
 

How competitive is it to get into CUO?
This varies every year and depends on the instrument, but CUO is the University’s premier orchestral ensemble and attracts the University’s finest musical talent. Typically, several members of the orchestra will have previously performed at a national level and will pursue careers as professional musicians when they leave Cambridge.
 

How many places are there in CUO?
CUO is a flexible ensemble: the size of the orchestra adjusts depending on the repertoire being performed. Following your CUMS audition, if successful, you will most likely be offered either a place in CUO for the full year (in both chamber and symphonic repertoire concerts), or a place in all large-scale symphonic repertoire concerts (and a place in Cambridge University Sinfonia concerts when you are not performing with CUO).

For the 2018-19 Concert Season, the chamber string strength is 8.6.4.4.2 and the string strength for the majority of symphonic concerts is 14.12.10.8.6. The wind and brass places vary with each concert depending on repertoire. Your concert commitments for the year will be made very clear following your audition.
 

How is seating determined?
Seating in all sections of the orchestra for the year is determined at the auditions. There will sometimes be some rotation in the strings, which will be confirmed at the start of the year.
 

What kind of time commitment is involved?
CUO operates on a project-based schedule. All concerts take place on Saturdays and are preceded by a short, but intense period of rehearsals with the visiting professional conductor. Typically, a chamber concert will be preceded by four evening rehearsals during the week, plus a rehearsal on the afternoon of the concert. Symphonic concerts will have one or two additional rehearsals. There are two concerts in Michaelmas term, two in Lent term (plus the King’s Foundation concert) and one in Easter term. You can view the full 2017-18 rehearsal and concert schedule here.
 

Why are the rehearsals so close together? Why not have weekly rehearsals throughout the term?
The intense project-based rehearsal schedules work extremely well for CUO, because they enable the visiting conductor (who will only be able to spend one week in Cambridge) to take all of the rehearsals for their concert and work in great depth with the players. It would be impossible for CUMS to invite top professional conductors to work with the orchestra if it operated on a weekly rehearsal schedule. Project-based rehearsal schedules are also beneficial because they enable orchestra members to take part in other activities (e.g. an opera production) or catch up on degree work during their weeks off from CUO.
 

Will I be able to fit in CUO around my studies?
Yes. Nobody can work all of the time, and it is really important to have other activities planned to take your mind off degree work between lectures and supervisions, and to get the most out of your time at Cambridge. While the CUO rehearsal weeks are quite intense, rehearsals take place in the evenings and the total CUO time commitment for the year is just 11 evenings in Michaelmas term, 15 in Lent term and 5 in Easter term. Members of the orchestra receive their rehearsal schedules for the entire year in October, so it is possible to plan around them.
 

Do I have to attend all the rehearsals?
Yes. All CUO rehearsals are compulsory and you must attend unless you have special permission from the orchestra manager. We operate a strict rehearsal policy to ensure that the very high standard of the orchestra is maintained.
 

I am a choral/organ scholar. Will I have time for CUO?
Yes – it is common for choral scholars to perform in CUMS orchestras too. However we do expect members of CUO to prioritise the orchestra’s rehearsals, and any potential problems must be flagged up with a member of the CUMS team at the start of the year. If you have concerns about rehearsal commitments and would like to discuss this with a member of the CUMS team, please get in touch with Alice Greenwood: aceg4@cam.ac.uk.
 

I am applying for an instrumental award. Will I have time for CUO?
Yes. It is very common for instrumental award-holders to perform with CUMS ensembles and they are strongly encouraged to audition.
 

Who runs CUO?
CUO, like every CUMS ensemble, has its own student President and committee which runs the ensemble’s rehearsals, concerts and social events. The CUO committee is supported by the CUMS Concerts and Marketing Assistant (a graduate role), the Performance Assistant (a joint role with the Faculty of Music) and the CUMS Executive Director, who help to ensure that rehearsals and concerts run as smoothly and professionally as possible.

The ensemble President also sits on the overarching CUMS Management Committee. This Committee meets regularly during term-time and includes the CUMS Student President, Vice Student President, the President of each individual ensemble and the Conducting Scholars. The Committee discusses how the Society operates, the programmes the ensembles perform and the artists they work with. The CUO President represents the views of CUO members in these discussions. For more information about how CUMS is run, please see here.
 

Will I be able to get involved with running CUO?
Yes. At the start of each academic year the President of CUO will elect members of the orchestra’s committee, including a Publicity Officer, Social Secretary, Stage Manager and Librarian. CUMS is always delighted to hear from students who would like to get involved and offers several opportunities for students to develop their skills and experience in arts administration.
 

How sociable is CUO?
Very! The orchestra’s Social Secretary is responsible for organising social events, such as dinners and formals, as well as regular after-concert parties. Pre-rehearsal dinners and post-rehearsal pub trips are frequent and encouraged. The Orchestra is made up of a variety of undergraduate and postgraduate students from all kinds of academic backgrounds, and it is a great way to meet like-minded musicians from across the University.
 

Are CUO available for hire?
Please get in touch with Rachel Becker.
 

What happened to Cambridge University Chamber Orchestra (CUCO)?
In 2017, the CUMS ensembles were restructured. As a result of this restructuring, the Society’s flagship orchestra, Cambridge University Chamber Orchestra, became a more flexible ensemble which adjusts in size throughout the year to perform both chamber and symphonic repertoire. Hence, ‘Chamber’ was dropped from the orchestra’s name to form Cambridge University Orchestra. This change will enable musicians in the orchestra to experience performing both chamber and symphonic repertoire at a very high level. You can read more about the restructuring of the CUMS ensembles here.
 

 

Registered Charity No. 1149534

Cambridge University Musical Society
West Road Concert Hall
11 West Road, Cambridge CB3 9DP
Principal Guest Conductor
Sir Roger Norrington CBE
CUMS Conductor Laureate
Stephen Cleobury CBE
Director, Cambridge University Chamber Choir
Martin Ennis
Artistic Advisor
Sian Edwards
Associate Directors, Cambridge University Chamber Choir
David Lowe, Nicholas Mulroy